Claudio S. Grafulla (1812–1880) was a British-born American composer during the 19th Century, most noted for martial music for regimental bands during the early days of the American Civil War. Grafulla was born in 1812 on Minorca, an island off the coast of Spain that was occupied by the British after the Napoleonic wars. At the age of 28, he emigrated to the United States, where he became a French horn player in Napier Lothian’s New York Brass Band in New York City. This band was attached to the 7th Regiment of the New York National Guard, which was later honored in 1922 by John Philip Sousa’s The Gallant Seventh march. In 1860, Grafulla added woodwinds to a reorganized band and continued to serve as its director until his death.
Grafulla was a quiet, unassuming man who never married; his whole life centered on his music. His remarkable technical and musical skills allowed him to become well known as a composer, often writing music to order, and as an arranger. His hallmark Port Royal Band Books were composed and arranged for the 3rd New Hampshire Regiment Band, when it was formed for service during the Civil War. As a director of the 7th Regiment Band, his fame spread widely. Grafulla composed his most famous work, Washington Grays, in 1861 for the 8th Regiment, New York State Militia. This work has been called a march masterpiece, a band classic, and the prototype of the concert march. Showing the stylistic influence of both German and Italian marches, the march has a marvelous balance of technique and melody in a continuous flow of musical ideas. It dared to break the old formulas, however, because it has no introduction, no break strain, and no stinger. Curiously, long after Grafulla’s death in 1880, during the presidential contest of 1896, while McKinley and Bryan were debating the burning issue of a silver vs. gold monetary standard, Grafulla’s publishers issued a Solid Money March under the palindrome, “C.S.Allufarg.”
The following work by C. S. Grafulla is contained in my collection: